olive tree love
Poetry by Nancy Corson Carter
A BLESSING
On narrow twisting roads rising up
from the coast to the Sierra de Almijara,
our little bus stopped by an olive tree
said to be over 1700 years old.
Under a canopy of silvery leaves
in a swirl of rugged bark pocked
with small cavities, her massive trunk
wound upward, exquisitely sculpted
by white limestone soil below.
It would have taken three of me to
reach around her, but nevertheless,
when given a chance,
I hugged this great tree.
Even now, I can still feel
the power of that embrace:
it’s like being breathed by
deep mothering Earth.
When our guide said little owls
live in the olive groves and sing most
happily there, I had to know more:
Eurasian Scops Owls seem to
be her most common companions,
but they winter until spring
in sub-Saharan Africa.
In late March, early April
they return on a single long flight
in family groups; they fly at night
to be safe and star-guided,
these canny birds no larger than sparrows.
Surely the olive groves welcome them,
as their flute-like mating songs soon resound!
When they nest they often choose
crannies and crevices much like
ones in this special tree.
Their dining on insects and small mammals
is a boon to herders grazing
sheep and goats in the groves
Thus learning of my olive tree and
her companions has led me
into a new world:
For some 6,000 years in this Mediterranean basin,
olive trees have provided food, medicine, and light.
I learn that my tree’s not alone in living so long:
her kindred can be fruitful for thousands of years.
For peacemakers the olives’
ability to regrow from rootstock
is a powerful symbol of
resilience and hope.
All of this is a blessing, but
the best one I’ve found
to sum it all up
comes from Psalm 128:
“May your children be like olive shoots
happy around your table.”
Nancy Corson Carter, professor emerita of humanities at Eckerd College, has published THREE poetry books, Dragon Poems The Sourdough Dream Kit, and A Green Bough: Poems for Renewal (most recent) and three poetry chapbooks. Some of her poems, drawings, and photos appear in her nonfiction book, Martha, Mary, and Jesus: Weaving Action and Contemplation in Daily Life, and in her memoir, The Never-Quite-Ending War: a WWII GI Daughter's Stories.
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